Sunday, December 22, 2013

Television Goes Global, and Other Reflections on TV in 2013

NOTE: This piece was originally published on Critics at Large on December 22, 2013. If you wish to comment, please do so on that page.

The final episode of AMC's Breaking Bad aired this past September.

The past twelve months have brought an embarrassment of riches to the dedicated television viewer. Not only a number of promising new series, but technological and industry developments have made television viewing richer, more diverse, and more convenient than it's ever been. But even on wholly traditional terms, TV has had a good year. AMC's Breaking Bad came to a powerful and satisfying conclusion. FX's Justified had another strong year, and its fifth season is set to air early in January. After some uneven early episodes, CBS's Americanized Sherlock Holmes procedural Elementary went from strength to strength, culminating in a powerful first season, and this fall has proven itself to be much more than the pale shadow of BBC's incomparable Sherlock it threatened to be on paper. In November, TBS premiered The Ground Floor, a new laugh track rom-com/office comedy from Bill Lawrence (Scrubs, Cougar Town) that has grown more charming and likeable with every passing episode. And a year ago, long before Fox's Brooklyn Nine-Nine hit the airwaves in September, who could have guessed that the best comedy team-up on television would be Homicide: Life on the Street's Andre Braugher and Saturday Night Live alum Andy Samberg? All in all, we have a lot to be thankful for this year. Below I review some of the more interesting developments in television in 2013.

Sunday, December 8, 2013

The Future Looks Bright for Fox's Almost Human

NOTE: This piece was originally published on Critics at Large on December 8, 2013. If you wish to comment, please do so on that page.

Karl Urban and Michael Ealy stars in Fox's Almost Human

Good old fashioned fun is part of the recipe for the best new dramas of 2013. Sleepy Hollow and Agents of S.H.I.E.L.D. have already staked out that territory nicely (and, though it makes me feel a little dirty in admitting it, so has The Blacklist). And even though it came a little late to the party (premiering just three weeks ago), Fox's new science fiction crime police procedural Almost Human, is standing with the best of them. 

Almost Human has an ambitious concept on paper a futuristic drama with high tech wizardry and self-aware androids but at its heart it is a buddy cop show with consistently high production values and two engaging lead actors. Created by J.H. Wyman and produced by J.J. Abrams (Lost, Fringe), Almost Human is set in Los Angeles in 2048, in an era when advancements in technology have resulted in a corresponding increase in criminal activity. Our hero is Detective John Kennex (Karl Urban, Star Trek), who returns to the police force after emerging from a 17-month coma, which resulted from a botched raid that cost him his partner, one of his legs, and parts of his memory. Almost two years out of commission, he finds the station a very different place. Every cop is assigned a mandatory synthetic partner rule-oriented and emotionless MX-model androids who seem to be watching the cops as much as watching out for them. With little patience for this new normal, Kennex quickly (and dramatically) dispatches his assigned android, and is then given a different kind of synthetic, one with more personality than the other models and arguably with more personality than Kennex himself.